aka Delirio di Sangue
Director: Sergio Bergonzelli
My Rating: 6.5/10
A woman gets a warning, from the future!, that her life might very well be in danger. Meanwhile, in a remote castle, the wife of a painter (looking exactly like this woman) dies on that very night. The painter now finds himself unable to paint anything but his darkest fantasies, as he was used to painting while his wife was playing the piano but that is no longer an option. One year later… In a desperate attempt to get his creative juices flowing he digs up the corpse of his wife but it doesn’t quite do the trick, however his path eventually eventually crosses, at one of his art exhibitions, with this woman who looks exactly like his wife and eventually he will find the way again…!
With a slightly confusing plot, things won’t end up making sense until halfway through. I initially though this first woman was the actual wife (as both are played by the same actress and this is pretty much happening in the first few scenes) and that the story would evolve around making sense to this but that’s not really the case. The continuation is all about the new relationship between the woman resembling the painters wife and how the painter after an incident where his frenzied servant ends up killing the stablemaid in a rapeattempt and how the aftermath of this event enables the painters creativity once again.
At the point of beeing within the odds and ends of italian horror cinema i’ve held of on this one for a while for no particular reason. This is indeed low-budget appearing to be a quick job (not necessarily a bad thing). What, atleast to me, makes it worthwhile is the couple of delirous scenes somewhere in the middle that feels kinda unmotivated. Employing more classic elements like the gothic setting which is more of a front for this seminal sleazepot – I won’t try to convince anyone to give this one a spin – but if you end up doing so it wouldn’t be a bad thing to watch it along with Herschell Gordon Lewis Color Me Blood Red as a doublebill of ‘delirous painters and the macabre’…